1914: Milo Thatch, grandson of the great Thaddeus Thatch works in the boiler room of a museum. He knows that Atlantis was real, and he can get there if he has the mysterious Shephards journal, which can guide him to Atlantis. But he needs someone to fund a voyage. His employer thinks he's dotty, and refuses to fund any crazy idea. He returns home to his apartment and finds a woman there. She takes him to Preston B. Whitmore, an old friend of his Grandfathers. He gives him the shepherds journal, a submarine and a 5 star crew. They travel through the Atlantic ocean, face a large lobster called the Leviathan, and finally get to Atlantis. But does the Atlantis crew have a lust for discovery, or something else?
Set in 1914, young linguist orphan named Milo Thatch buries himself in books trying to unlock the secret to the destruction of Atlantis. Althouth his theories are ridiculed by his colleagues he is persistent in his dreams of one day discovering the lost isle. His dreams are realized when he is given a spot in an expedition, financed by a friend of his grandfather, to go in search of Atlantis following Milo's guide: The Shepard's Journal. But the Guardians of Atlantis await the explorers putting them in danger at every turn. And the deadly truth about Atlantis's demise puts Milo, the royal family, and all of Atlantis in mortal jeopardy.
I will be brief. I feel that this film has been a real missed opportunity for Disney. I&#39;m not saying that it wasn&#39;t a good film, it is and follows an increasing line up of modern Disney successes. But perhaps it could have been a bit more. I know that they must be true to their roots but the story here doesn&#39;t really fit in to that pattern and forcing it to diminishes the film.<br/><br/>Our hero here is Milo Thatch, a young linguist who dreams of fulfilling his Grandfathers lifetime goal of discovering Atlantis. After becoming a laughing stock at the museum where he works, Milo out of the blue is called before the &#39;intimidating&#39; Mr Preston Whitmore who turns out to be a old friend of his grandfathers who is willing and ready to fund the expedition to find Atlantis. Milo meets up with the crew of the impressively animated sub-marine who turn out to be a fairly standard Disney bunch and set out to find the Lost Empire.<br/><br/>Ok in part the animation here, Disney&#39;s first real try at anime, was impressive the opening shots were remarkable and with a small audience of children who had never seen Japanese animation I heard more than one gasp. But this new stylism does not extend to the characters are typical of those produce by Disney at various times over the last 30 years and are the main disappointment of the film. With a smaller more tightly written cast this film would have been greatly improved. In particular the Mole, Cookie and teenage chief mechanic Audrey were where fairly token inclusions.<br/><br/>As recent Disney has increasingly had a dark side this would have been the darkest yet the main issue here being nothing less than genocide, but a few fudges have avoided this. Had this dark vein been followed to what I thought would have been its logical conclusion, the oddly comic Preston Whitmore this would have been a better film.<br/><br/>I said I would be brief didn&#39;t I? Ah well. Take the Kids to see this, they wont know any better!
When I saw &quot;Atlantis&quot; on this years Fantasy Film Fest in Frankfurt, I was quite amazed. Not because I saw a film I didn&#39;t expect that good, no, because the audience, who mostly hate animation at large and Disney especially, began muttering, but then followed the film and mostly liked it at the end!<br/><br/>The first I heard was that no songs would be in the film, many people therefore thought it to be something very new for Disney. I didn&#39;t think so. The film has no songs, instead it has a very powerful score by James Newton Howard. But if you see the last Disneys, you could feel this shift would come sooner or later. Now here we are: Disney made a genre film, a classic adventure movie, without killing the own genre &quot;disney film&quot; they established over the last years, but giving it something more.<br/><br/>The background is very detailed. As expected, the best was the smooth animation. The characters seemed to be out of one comic book from the 20s to 40s. But what was rather unexpected (mostly because of the both directors Kirk Wise and Gary Troudsdale, who made the enchanting &quot;Beauty and the Beast&quot;) was the slim and brilliant action, it used. When I saw the picture, it took some time for me, to get into the film. The story is not that good and the characters a bit to schematic, but when the action started all was forgotten. If you go to see the film, pay some attention the the montage of those sequences!<br/><br/>Another very interesting aspect was the end. The film has a climax you wouldn&#39;t see in most todays films. The use of pathos and the choir on the soundtrack, when the characters become to know their true identity resembles adventure movies of the 40s –and along with those some of the most entertaining blockbusters, as the Indiana Jones-series or &quot;The Mask of Zorro&quot;. The directors also knew how to use this climax to lead into the last big action scene (as Roger Ebert pointed out, an outstanding one!).<br/><br/>I liked the film as a genre movie, not as a Disney picture. Don&#39;t get me wrong, I like animation an love some of the Disneys as much as the films of my personal animation-hero Hayao Miyazaki (whos &quot;Laputa-Castle in the Sky&quot; can be felt through in some scenes of &quot;Atlantis&quot;). But this film didn&#39;t work that well on this dineyesque level. The comic relieve characters where not that enchanting, the moral of the story not the center of the film. In fact, &quot;Atlantis&quot; seems to have no big moral at all! But as one, who was very depressed after seeing most &quot;event movies&quot; of the year, I was glad to have one action adventure to entertain me. This one was &quot;Atlantis&quot;. I suggest you to see it, if you like such films. Yes, it is animated, but that&#39;s just the way it was made. Don&#39;t fall in this trap! See the film, enjoy it, as I did!
The eye candy can't quite compensate for the murky mess of a plot.
They are called coelacanths, a primitive order of fish once thought to be extinct. The first live specimen was caught off the coast of South Africa in 1938, 24 years after the events depicted in the movie. However, it is entirely feasible that Whitmore, a collector of rare artifacts, could have gotten a hold of a few specimens before anyone else. According to the DVD audio commentary, he was blinded when the Heart of Atlantis is activated and sinks the city. If you notice, his eyes are normal when he tells young Kida to look away in the opening sequence. One of P.T. Barnum&#39;s famous quotes is, &quot;There&#39;s a sucker born every minute.&quot; Rourke is referring this quote regarding how the crew have chosen to supposedly withdraw from a lucrative deal and seem to be siding with Milo. The Leviathan was speculated to be a mythical sea-monster to frighten the superstitious which Milo quoted from the book of Job from the Bible .<br/><br/>In actuality, it was a very powerful Atlantian warship. Before Atlantis was sunk, many Leviathans were once part of the Atlantian navy. The producer of the film stated that only one of the many Leviathan&#39;s survived the &quot;Great-flood&quot; and the last remaining one, which was seen in the film, was tasked with guarding the secret entrance to Atlantis.
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